Here is a link, the programme first aired on 23rd of September.
Richard Wright, keyboard player and founding member of Pink Floyd passed away on September 15 at the age of 65 following a short illness with cancer. Wright’s richly textured keyboard layers were a vital ingredient and a distinctive characteristic of Pink Floyd’s sound. In addition, Wright frequently sang background and occasionally lead vocals onstage and in the studio with Pink Floyd. he wrote significant parts of the music for classic albums such as Meddle, The Dark Side of the Moon and Wish You Were Here, as well as for Pink Floyd’s final studio album The Division Bell .Now a Richard Wright track,sysyphus part III (1’49”)from ummagumma the1969 fourth album by Pink Floyd.It’s hard to beleve it”s Pink Floyd.
Good Morning, Richard Fielding and myself John Blades return for a morning of quintessentially British avant-gardeism. This morning the recent double CD Biting the hand, the BBC radio broadcasts of Ron Geesin from 1969 to 1975 and released on Hux Records . He is one of Britain’s leading avant-garde composers and performers. The first CD includes introductions by and discussions with perhaps his greatest radio supporter, The Late John Peel.From his website:
Composer, performer, sound architect, writer, lecturer, broadcaster and interactive designer, Ron Geesin was born in Ayrshire in Scotland in 1943. He co-wrote Pink Floyd’s Atom Heart Mother [EMI CD] and made Music From The Body [EMI CD] with Roger Waters. After his first solo album A Raise Of Eyebrows [Transatlantic 1967], he became one of the first one-man record companies with As He Stands, Patruns and Right Through. His first book of poems and stories Fallables appeared in 1974.
On the CDs all instrumentation Is by Ron Geesin and includes:
Ron Geesin: voice, 6-string, 4-string, 1-string, detuned, multi-tracked and “eastern” banjos, red petrol can, piano (plucked, beaten and played), percussion, ring-modulated and multi-tracked percussion, celeste, mouth, cymbals, tape delay system, tape inside London bus, harpsichord, water cistern, VCS3 synthesizer, synthesizer bass, tape loop, tape loop of train on rails, mandoline, drum. etc
CD1, the main other voice Is John Peel
1,blues tuned a bit green,1’39”
2,pretty little faces,2’56”
3,off the left cuff,2’12”
7,a piece for harmonium,2’21”, all from 1968
For Expo 70 (Osaka Japan), he made a large multi-source sound-work in the British Pavilion. He Has Also constructed other multimedia environmental works.
He was often featured on John Peel and Bob Harris shows for BBC R1.
Continuing with CD one:
8,John Peel introduction,1’21”
9,wind of life,2’21”
11,whirls of brain,0’56”, 1968
15,3/4 plywood cover for voice.3’28”
18,Mr tape machine,speak with your heads,3’45”, 1969
And he has composed music for film and television. Interestingly he describes his live improvisations as “sub-conscious flow”, studio music as “electro-melodic sound-painting” and his life as “chance careering”.
Not surprisingly his influences include The Goons And Surrealism.
CD2, the first selection
3, agitation in anticipation of offspring part W,2’24”,
5, agitation in anticipation of offspring part Y,4’20”, 1969
As a spirited and informed lecturer, he has excited students since 1969 from primary schools to universities, examining the combining of music and sound with subjects as diverse as typography, the street and the media.
A Great Revelation for Ron Geesin was his discovery of the A 77 Revox reel-to-reel tape machine and tape loops and delay. He Has Collaborated with artist/writer Ian Breakwell in audio, video and radio.
He Has Released approximately 28 recordings since 1973.
Continuing with CD2, the final selection:
7,a cymbal and much electronics ,2’59”
8, got me black vest on,2’24”
9, which way out? Thank you,2’23”,1971
10, two feet and a mouth,3’24”,
13, Chrisfarce,3′ 16″
14, from Sevenoaks to Charing Cross,2′ 51″,1972
Finally , Ron Geesin said in 1969 “I want to mean something but I don’t want to belong to anything “.
this morning the new Klangwart CD on Staubgold with an interview with one half of Klangwart and owner of Staubgold, Markus Detmer from Berlin. After an eight-year-long studio hiatus, “Stadtlandfluss” is the new album by the Cologne(Timo Reuber)- and Berlin(Markus)-based electronic duo Klangwart . Also an interview with Prof Colin Rhodes about his collection of art Brut works on show at orange regional Gallery until November 16 .
Also English turntablist Philip Jeck and recent releases on the touch music label.
Firstly Klangwart, the new CD . I spoke to Markus Detmer last Friday from Berlin(35 deg to 7 deg).INTERVIEW Part 1,0-2’11”’track 1
1,Zwei Tone(Two Tones),5’09”
3,Radio(Voices on air),2’57”
INTERVEW Part 2, 3’09”-6’56”
4, Hamanamah(a technology mantra as a centre of calm),8’35”
5, Telemann(a multitude of violins condense into vibrant soundwaves),5’35” for me the climax
Now We Move to England and new releases on the touch music label. Firstly two more in the 7 inch series. Firstly headphones from the record project by AER which started as a film soundtrack . Designed to be listened to on headphones.
AER is the occasional recording name for Jon Wozencroft, art director and editor of Touch and Fennesz/Jeck/Matthews “Amoroso”.Fennesz first ( new album Black Sea to be released on touch music at the end of November) and then Philip Jeck remixing and collaborating with English pianist, organist, composer and teacher Charles Matthews. The Philip Jeck side finishes in a beautiful locked groove which we will hear one minute of(~10’).
The new CD by Philip Jeck is called Sand is on touch music and was recorded live in Holland and England in 2006/7 using fidelity record players, Casio SK keyboards,Behringer mixer and Sony MiniDisc recorders.
Track, Title, Duration
play Colin’s Promo an interview(~9’).
All information and directions for orange regional Gallery go to org.nsw.gov.au
OPEN TUESDAY TO SATURDAY 10 TO 5, SUNDAY AND PUBLIC HOLIDAYS 12 TO 4 CLOSED MONDAYS, a beautiful 3 1/2 an hour car trip from Sydney.
The now now next Monday night, October 13 at serial space at 8 p.m. and forthcoming splinter Orchestra tour,thenownow.net
The Next Background Noise in two weeks will be a precursor to Brut Loops at Artspace on Thursday, October 30 at 8 p.m.. In a special night of Art Brut, films, talks, slideshow, poetry readings and outsider art exhibition and audiovisual performances by Ian Andrews and The Loop Orchestra who will be launching the new Chinese split CD on sale for $10 .