anonradio: the next generation

Background Noise:Anthony Pateras interview and feature,unreleased recordings

Posted in Uncategorized by loops on June 21, 2009

the link is here

this morning an interview and feature on the Australian Melbourne based multidisciplinary musician(acoustic and electronic) and composer Anthony Pateras.  Playing the only recording of his earthshattering solo piano performance at the now now Festival in January this year.  Which most believe was the most incredible live music performance they have ever witnessed.And Other Unreleased recordings.His Work Ranges from solo piano and prepared piano work,developed further by John cage in the 1940s,to ensemble music and furious analog electronic music with Robin Fox.

we will begin with the words of Anthony .

track, title, duration.

1,FUG 1(Pateras/Griswold/Fox)(2002),12’ 21”(INTRODUCED AS HYPNOGICS)

2,hypnogogics for solo percussion(2005),8’ 08”(INTRODUCED AS FUG 1)

,the now now solo piano performance January 2009,recorded by Somaya Langley

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Background Noise: Clare Cooper interview and feature on Germ

Posted in Uncategorized by loops on June 21, 2009

 the link is here

this morning the recent double CD Germ studies for guzheng and DX7 by improvising duet Germ, the musical marriage of keyboard maestro and former background noise guest Chris Abrahams playing the classic electronic 80s FM synthesiser/sampler the DX7(which Chris has been exploring since the 80s) and  Berlin based harpist and co-founder of the now now Festival Clare Cooper playing the ancient Chinese zitar style guzheng.  The CD  is released on Jim Denley’s label splitrec. Mastered by Chris Townend at be Jesus Berger studios Sydney.We will learn about germ, the history, methodologies and music through the words of Clare Cooper whom I spoke to yesterday from cannes in the South of France where she is working on a television programme about the current cannes film Festival.The Australian broadcasting Corporation movie review show.  We will intersperse music from the double CD release with the words of clare. There Are 99 tracks on each CD  ranging in duration from four seconds to 8 minutes.

Beautiful minimal  electroacoustic sound sketches.We Will Begin with the words of Clare Cooper

track listing

CD 1

Track, title, duration

2,ability,1’ 41”

6,competitive edge,1’ 48”

9,eating own shoulder,1’ 32” *

12,pretty whack,0’ 12”

20, drunk thunder,0’ 28”

22,Heck,0’ 18”

25,my foolish lung,1’ 41”

44,Bear VS Cyber W@sp,0’ 43” *

48, the blob ,1’ 54”

51,pay review,0’ 46”

64,neutrino,8’05”

94,full metal guzheng,2’ 01” *

98,the fight part II,0’ 29”

CD2
6, Green March,1’ 50”

10,Hazel Hawke,0’ 40” 3,12,Forcefield Pig(Skitter),0’ 26” *
17,Big Chill,0’55”

23,Martian Chamber Music,1’ 04”

28,Halley’s Comet,0’ 27”

32,Blustery,0’9”

36,electric sewer,2’ 07”

42,Sealord,1’24”

53,Rugby,1’ 58”

64,Death of Cyber W@sp,1’ 32” *

68,The History Channel,0’ 21”

75,Rope,0’ 07”

78,General Pants,0’ 15”

82, Textured Animals,0’ 46”

89,Deliverance Like,0’ 43” *

18,90,Slaughter,0’ 04”

19,91,The Con,0’ 51”

93,Group Dynamic,0’ 20”

96,Ominous,0’ 50”

98,Jaw Dropper,0’ 52”

Background Noise: New International experimental music compilations

Posted in Uncategorized by loops on June 19, 2009

 the link is here

This morning 2 brand-new international experimental music compilations each a limited edition of 100.We have secured copies for your listening pleasure.Firstly reworkings of the sound source track created from various cuts from the CD Elementality by Anders Peterson from Stockholm on the French label basses frequencies.Including The Loop Orchestra.Anders says the tracks are collaboration tracks or “reworks” using my sound source track, and many have added their own sounds into their tracks.

Track,Artist,Title,Duration

5,Aidan Baker(from Toronto,Canada), untitled,5′ 04″

6,Rapoon ( Robin Storey formerly from Zoviet France, UK) In Silence (walk away)(,4′ 48″

8,Sarana (Finland),Ne,5′ 15″

10, The Loop Orchestra, Elementality remix part one,5′ 12″

11,Radboud Mens (Amsterdam), First Theory,6′ 05″

Now theLimited-Edition Compilation CD accompanying the limited hardback edition  of the book micro bionic , radical electronic music and sound art in the 21st century published by Creation books in England.  From industrial to noise and more contemporary digital electronic music.  From Europe, America and Japan.

8, Scott Axford, 60 La Scala (previously unreleased) 2009,5′

9, John Duncan, excerpt from Tap Internal 2000, 8′ 51″

10, Merzbow,Anicca Part Three (excerpt) 2008, first 5′

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Background Noise:The Russian Avant-Garde 1908-1941, Part Two

Posted in Uncategorized by loops on June 8, 2009

 the link is here

this morning the second part of our presentation of the early 20th-century Russian avant-garde  through the beautiful new book and double CD release:

BAKU: SYMPHONY OF SIRENS SOUND EXPERI.MENTS IN THE SOVIET AVANT GARDE – ORIGINAL DOCUMENTS AND RECONSTRUCTIONS of 74 KEY WORKS of MUSIC, POETRY and AGITPROP(agitation propaganda) from the RUSSIAN AVANT GARDE 1908-1942.  Released on the English label RER megacorp.  Last programme we listened to a selection of the careful reconstructions of these incredible historical documents, this morning original archival recordings.

Track,title,year, duration, information

1,Enthusiasm The Dunbass Symphony,Dziga Vertov,rec. 1929-30,3’48”

3,                     “           ,”          ,,1’04”
5,                     “           ,”          ,,1’16”
7,                     “           ,”          ,,34”
8,                     “           ,”          ,,4’22”

11,Alexander mossolov,zavod Symphony of machines—steel foundry,2’ 58”

12,Dnieprostroi.The Dnieper hydroelectric power station,Julius heyfuss, rec 1931,2’ 29”

15,Winter,Alexiei Kruchenykh,1930 rec 1951 by him in Moscow,2’32”

16,Naval Romance,Vladimir Mayakovsky,1915 rec 1920,59”

17,Lili Brik reads Vladimir Mayakovsky,Steet to Street1913 rec 1950 ,1’09”

18,house painter, David Burliuk, 1913 recorded 1956, 28”

19,confessions of a hooligan,Sergei Essenin, 1921 recorded circa 1956,1’ 28”

21, the way I live, Vassily Kamensky, recorded in 1959, 43”

22,what is Soviet power,Lenin,1919 — 1920,2’ 33

25, 10th anniversary of the left opposition, Leon Trotsky,circa 1919,3’ 40”

26, night, Boris Pasternak,recorded in 1958,2’ 12”

27,to the muse,anna akhamatova, 1924 recorded 1963 – 1965,poem,43”

30,the realistic manifesto,naum gabo and noton pavena, 1920 recorded in 1968,8’ 08”

31,radio message to broadcast by Dmitri Shostakovich, 1941, 51”

32, radio broadcast of the Leningrad Symphony by Shostakovich(re creation, 1942,1’ 20”

Background Noise: The Russian Avant-Garde, 1908-1941,Part 1

Posted in Uncategorized by loops on June 8, 2009

the link is here

This morning the glorious new book and CD release:

BAKU: SYMPHONY OF SIRENS SOUND EXPERI.MENTS IN THE SOVIET AVANT GARDE – ORIGINAL DOCUMENTS AND RECONSTRUCTIONS of 74 KEY WORKS of MUSIC, POETRY and AGITPROP(agitation propaganda) from the RUSSIAN AVANT GARDE 1908-1942the

released on the RER megacorp label from the UK.A Double CD and beautiful hardback book release.

This morning the reconstructions and next program original recordings .  I have chosen works which are in my opinion the most sonically interesting.  They vary in duration from11 seconds to 28 minutes.It Was a very  important and little-known vibrant, colourful and inspiring period of the 20th-century avant-garde art, music and poetry.The Programs will be sketches from the Russian avant-garde through the work of the poets, musicians and conceptualists.  Before and after the Russian  industrial Revolution of 1917.  It was centred around Russian futurism and its many offshoots.  Many more movements than the avant-garde elsewhere in the world.

Interestingly there were the futurist elements in the writing of in  1908 a year before the futurist manifesto of Marinetti in Italy.Italian futurism was widely covered in the Russian mediaand in 1914 marinetti was invited to Moscow to speak.  He was mocked and there was a call for rotten eggs to be thrown at him.Because he had betrayed the original principles he had portrayed.  This criticism came principally from Cubofuturists(to differentiate them from the Italian futurists) such as the poet mayakovsky and the founder of Russian futurism David Burliuk.  Marinetti in turn called the Russian futurists psuedofuturists and said that one of the poets was from the Stone Age.They Wanted to eliminate the separation of past, present and future exploring their own Slavic roots as a meeting of the universal and the future. The reconstructions, recordings and new versions are by Miguel Molina and Leopoldo amigo and recorded between 2003 and 2007.

Track,title, artist, year, duration

1,symphony of factory sirens,Arseny Araamov,1922 ,first 12’08”

2, the radio of the future,velmir khlebnikov,1921,3’ 48”

3, the first spring concert of universal futurism,Ivan Ignatyev &ego futurist group,1912,1’ 47”

8,laboratory of hearing,Dziga Vertov, 1916,34”

9          “,1916,1’ 18”

11,Nikolai Foregger and his Orchestra of noises,1923,3’ 11”

12,factory,sergei prokofiev and georgi yakulov,1925 – 1927,2’18”

13,radio- ear/radio-pavda,dziga vertov,1925,2’ 58”

14,Sonata of sleep,Konstantin melnikov,1929 – 30,2’10”

16,overture,igor severyanin,1915,1’32”

17,echo,”,1914,33”

19,Dyr Bul Shchyl,Alex Kruchenykh,1913,20”

20,drama in the futurists’ cabaret,vladmir Kasyanov  and the futurist circle,1913 – 14,3’ 32”

21,the family of vowels laughing, David Burliuk,1915,57”

22,Finland,Elena guro,1913,1’14”

24,Spain,olga roszanova,1916 – 1918,45”
25,Dada,H2so4 group,1924, 24”

27,manifesto of nothingism, the nothingists,1920,2’ 46”

28, decree about the nothingists of the poetry,1920, 17”

29, to see, Vassily Kandinsky,1913,1’ 29”

30,poem,kassimir Malevich,1919, 27”

31,poem without title,olga roszanova, 1916,16”

36,poem to the letter k, Vassily kamonski,1917, 32”

38,Mglybzhvuo,roman jakobson,1916, 40”