anonradio: the next generation

Background Noise: Samplemania, Two Very Different Uses Of Samples

Posted in Uncategorized by loops on November 1, 2010

The link is here

this morning sample mania. Two very different uses of sampling. The caretaker from England from 2008 with ghostly echoes from a bygone era and the recently released collaboration of People like Us from the UK and wobbly from the USA, plunderphonics music for the fire.

To begin with the brand-new very limited-edition (350 copies worldwide) 7 inch picture disc, collaboration between Cosey Fanni Tutti (from Throbbing Gristle) beautiful vocals and French sound artist Philippe Petite. Side A — mist while sleeping followed by Side B — Invisible Whispers. Released on vinyl to give a warmer sound. DIRTER productions label.

CD 1 People like Us And Wobbly, Music for the Fire

A Collection of warm and mellow mood settings released on UK label illegal Art.

Quintessential audio collage and montage of mood music and cheesy spoken word.

Track, Title, Duration


2, Naked Little Girl,4’52”

3, Sheep Laid out to Dry,1’05”

4, Partners,2’48”

5, Okay,0’54”

6, Giant Love Ball,3’02”

8, Woman,4’25”

11, Everyone Alone,1’03”

12, Hello,0’48”

13, A New Baby,1’57”

15, Bad News,3’33”

CD 2 The Caretaker,Persistant Repitition Of Phrases 2008 released by installsound

VVM’s James Kirby’s work as The Caretaker has always dealt with the suggestion of haunted memory and the obscuring of temporal motion, and this album makes that more explicit than ever, with titles that reference amnesia, Alzheimer’s, past life regression and other such memory misfires and short circuits. Crackle and the ghostly samples (sometimes slowed down) from old records from the 20s and 30s . with faded pianos or big band sounds . Old ballroom music looped up.Haunting. A very different use of sampling.

Track, Title, Duration


1, Lacumar Amnesia,3′ 29″

3, Rosy Retrospection,5′ 05″

4, Long-Term (remote),4′ 19″

5, Poor Enunciation,5′ 05″

7, False Memory Syndrome,3′ 55″

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Background Noise: Daphne Oram pioneering electronic music composer

Posted in Uncategorized by loops on November 1, 2010

The link is here

 we emerge from the rich world of John Cage. Daphne Oram (31 December 1925 – 5 January 2003) was a pioneering British composer and electronic musician. She was the creator of the “Oramics” (drawn sound) technique, a technique used to create electronic sounds. She was a pioneer of musique concrete and attended the RTF studio in Paris. She petitioned for an electronic music studio at the BBC and in 1958 co-founded the BBC radiophonic workshop with Desmond Briscoe. She was the first manager of the workshop which famously created the themes and sound for many radio features and dramas including Doctor Who. Her music was used to accompany sculpture displays, exhibitions, radio plays, radio and television advertisements,  films, plays and ballet. This morning a double CD featuring a broad range of her post-BBC recordings never released on CD before. It was released in 2007 on the paradigm label in the UK titled Oramics.


Track, title, source, year, duration

1, introduction, introduction to a demo tape sent out to potential clients, 1965?,3′ 33″

2, power tools, advertisement, 1965,0′ 48″

4, in a jazz style, no information,,0′ 42″

7, Lego builds it, advertisement, TV commercial, 1966,1′ 01″

9, intertel, TV soundtrack piece, 1966,1′ 23″

11, look at Oramics, probably for an episode of look at life featuring Daphne Oram and Oramics,,0′ 43″

12, rotolock, made for Rayant Films, 1967,1′ 31″ (bracket one)

13, purple dust, music for the play, 1962,6′ 50″

14, high-speed flight, made for Shell films, 1959,0′ 54″

15, studio experiment number one, first of five tryouts, undated,1′ 53″

19, Adwick high school number two (training them young in tape loops),,,2′ 22″

20, tumblewash, TV commercial for an English Electric washing machine, 1962,2′ 04″

Daphne Oram Was a highly intelligent, articulate and original musician, writer, composer and sound engineer. And was one of the leading players in the development of electronic music in Britain.


Track, title, source, year, duration

1, Rockets in Ursa Major (except one), incidental music for a play by Prof Fred Hoyle, 1962,4′ 54″

2, Food Preservation, one of several versions of this piece, 1964,3′ 20″

5, Episode Metallic, electronic tape with lighting control to accompany a mobile sculpture, 1965,5′ 28″

7, Adwick High School number three,1′ 35″ (bracket three)

8, Fanfare of Graphs, an early Oramics drawn sound experiment, 1968, 0′ 57″

12, Incidental Music For Invasion (excepts), 1958, music for a play by Adanov at the Edinburgh Festival,5′ 04″

16, Missile Away, excerpt from soundtrack, 1963,2′ 06″

18, Adwick High School number 4, the youngest ever tape loop makers,2′ 17″

21, conclusion, end of the demo tape,0′ 11″ (final bracket)

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